Augusta Vinall Richardson Tides I & Tides II, 2020 Repurposed steel offcuts, steel sheeting, rust varnish	Andre Franco The Revolution as Repetition toward Advancement and Spatial Constructs for Non-Spatial Data, 2019 Plexiglass, CasperTM Cloaking Technology, MDF plinth, Compass Rotating display unit - Technology, single channel video,video monitor, MDF plinth	Andre Franco Spatial Constructs for Non-Spatial Data (detail)
Tia Ansell Moss (Musk), 2019 Cotton, linen, wool/silk weaving, ceramic tiles & grout in aluminium frame	Tia Ansell Autumn (Glenlyon), 2019 Cotton, linen, wool/silk weaving, ceramic tiles & grout in aluminium frame	Olga Bennett score for seventeen years you were so quiet (that I barely remember your voice or any words you’ve spoken), 2019 Photograph
Anatol Pitt, Collapsing Viewpoint 1 & 2, 2019 Photograph	Trent Crawford And it is still true, no matter how old you are, when you go out into the world it is best to hold hands and stick together, 2020 HD video loop, LCD screen	Sarah Ujmaia The Palm as a Fertile Crescent, 2019 Stretched paper, staples, pastel, handmade paper stained with pomegranate, earthenware, graphite
Marlee McMahon IGrazie Roma, Dec, 2019 Pastel wall drawing	Martin George Medley, 2019 Acrylic and pencil on canvas	Grace Blake Oblique Cut Two Ways, 2018 PLA and Kodak metallic print, edition of 2 + 1 AP
Casey Jeffery Peace, 2019 Acrylic and oil on board	Alexandra Nemaric Sick Green, 2020 Acrylic, chalk, pencil, burnt wood

Sounds of Pacing

Tia Ansell, Olga Bennett, Grace Blake, Trent Crawford,
Andre Franco, Martin George, Casey Jeffery, Marlee McMahon
Alexandra Nemaric, Anatol Pitt, Augusta Vinall Richardson & Sarah Ujmaia

Augusta Vinall Richardson